Solitude was a peace that was sought by many. A rare form that took the pain out of loneliness. Was that the feeling right now? Of being alone, not just by human presence but of other wordly noises. It was silent and peaceful. At least to the perspective of some. The rains pitter pattered all around, a thick curtain of water hiding the actors in play. The stage was all set, taking place in an urban industrial area. Tall skyscrapers towering and providing small pockets of dry shelter. The play would be both tragic and beautiful. Cliche and childish as it may sound the name for today's theatric would be called, the tears of the reaped. The play had been planned for ages now, careful little details being combed and combed again. There was no room for error. As both a director and an actor or actress in the play it was important to lose oneself to the flavour of the script. One had to truly full yourself that the events were real, that you belonged to such a time and era. For days and days or even weeks the director had been absorbed into this play. The script may had been slightly adjusted for the occasion but the theatre life? It had been practised for the director's entire life. It was practically forced upon, hammered and engraved into the very blood vessels. Such was the life of the artist. Always absorbed in the works but right now? There was peace, room to enjoy and solitude to marvel at the art that was about to unfold. A live street art if you will, the director was ready. Dry, masked and cloaked. Flags down and colors blank. Yes the time was right, the audience suspected nothing soon the curtains would rise, the director felt it. Ever so often it had to stop, the curtains would let lose and fall into a pile of silken white and blue.
Memories. Getting to know the actors and the town. It was a hard process, but the industry had a high demand for skilled workers. Slowly and surely, accepted into the community living in and out of the town. It had taken months, the auditions were what was the greatest difficulties. Selecting the correct actors to take part in this play, the recalls and the cut offs. Some just weren't cut out for the business or disagreed with the genre, these aspiring actors had to be put down if any crude of a meaning. See, in this business there was no cieling, you could become the greatest with no limits. One could constantly climb the ladder and become more and more famous but it also had no floor, you would sink you were not picked up for a part and down you would go, drowning become nothing but a part of the "another fish in the sea". A deep dark place that no one could pick you up again, hell even famous people were lost in here. Mediocrity was not an option, not all toads can swim forever even they grow tired and sink to the bottom. A tragic play that was, known to many if not all. This was a fitting place to start yes yes. Finally a big deal a big gig. It was no Wall Street but it was half way.
[For this specific cause the director needed to learn a set of new skills. Wood Carving, it might have sounded like a strange skill but theatres were built on this stuff and the director had taken time learning this skill. If one had done this years ago then it would have been difficult. Now? it was only a matter of touch. The magically conjur Wood out no where was easy. To get that them into shape was not so difficult either, to be honest the new skill pick up was a joke but was something that was needed and wanted. Kunai and Shuriken were getting more and more expensive. The peace over the lands had brough the decline of such goods causing each to be more and more expensive. A make shift kunai, produced from the finest and strongest of woods, now there was a weapon. A projectile need not be as strong as steel. It only needed to be able to pierce the skin. Carving and moudling into desired shapes, producing an edge instead of the usual smooth roundness. In a matter of moments the Director could carve and shape a variet of tools. From small and big projectiles to hand held weapons, small lock picks and even complicated looking keys. The real trick was getting the hang of these weapons, at first the grips had been too smooth, proving that slashes and stabs to be ineffective. The handles had to come with grooves or twists, providing an adaquete grip to the director's needs. Projectiles however prooved to be more effective than their steel counterparts. Smooth, easy to make, cheap to produce, it was a perfect balance between heavy and light giving excellent speed and stopping power. In the hands of the master and one said to have the eyes of a hawk, the wooden kunai and shuriken was as deadly as one made of steel if not even more dangerous. she produced 20 of these Kunai, slightly longer in blade length than your standard. 10 would go to one of the main actors and 10 would be kept for the director alone. The director believed the purchase of the steel kunai would be thing of the past, not that one had purchased kunai's before. Status the director held allowed for free Kunai but alas, these new wooden ones would become a pet favourite. They were easier to conduct chakra through as well. They glided well in the air, keeping true to their points, a little mastery and they could probably be controlled mid flight, it was a beautiful creation and skill the director had come about.The handles were only grooved to help with the wind, some having a spiral twist so that throwing would cause it to rotate like a bullet further increasing their deadly prowress. The director would add these props to the play overly keen to test them out, to see how real they would be. But so far the props had been prooved to be even better than the real deal. Yes, soon they would roll out and replaced the expensive steel props, their jangling and the tinkling. These? They were silent, providing a more earth or natural sound when they clinked with one another.]
Now hidden away in a private box, the Director began to watch as the play unfolded. The private box was placed high, giving a clear view of the audience and actors. Windowed in the front and a small barred door behind for an easy escape.
1141 words
Memories. Getting to know the actors and the town. It was a hard process, but the industry had a high demand for skilled workers. Slowly and surely, accepted into the community living in and out of the town. It had taken months, the auditions were what was the greatest difficulties. Selecting the correct actors to take part in this play, the recalls and the cut offs. Some just weren't cut out for the business or disagreed with the genre, these aspiring actors had to be put down if any crude of a meaning. See, in this business there was no cieling, you could become the greatest with no limits. One could constantly climb the ladder and become more and more famous but it also had no floor, you would sink you were not picked up for a part and down you would go, drowning become nothing but a part of the "another fish in the sea". A deep dark place that no one could pick you up again, hell even famous people were lost in here. Mediocrity was not an option, not all toads can swim forever even they grow tired and sink to the bottom. A tragic play that was, known to many if not all. This was a fitting place to start yes yes. Finally a big deal a big gig. It was no Wall Street but it was half way.
[For this specific cause the director needed to learn a set of new skills. Wood Carving, it might have sounded like a strange skill but theatres were built on this stuff and the director had taken time learning this skill. If one had done this years ago then it would have been difficult. Now? it was only a matter of touch. The magically conjur Wood out no where was easy. To get that them into shape was not so difficult either, to be honest the new skill pick up was a joke but was something that was needed and wanted. Kunai and Shuriken were getting more and more expensive. The peace over the lands had brough the decline of such goods causing each to be more and more expensive. A make shift kunai, produced from the finest and strongest of woods, now there was a weapon. A projectile need not be as strong as steel. It only needed to be able to pierce the skin. Carving and moudling into desired shapes, producing an edge instead of the usual smooth roundness. In a matter of moments the Director could carve and shape a variet of tools. From small and big projectiles to hand held weapons, small lock picks and even complicated looking keys. The real trick was getting the hang of these weapons, at first the grips had been too smooth, proving that slashes and stabs to be ineffective. The handles had to come with grooves or twists, providing an adaquete grip to the director's needs. Projectiles however prooved to be more effective than their steel counterparts. Smooth, easy to make, cheap to produce, it was a perfect balance between heavy and light giving excellent speed and stopping power. In the hands of the master and one said to have the eyes of a hawk, the wooden kunai and shuriken was as deadly as one made of steel if not even more dangerous. she produced 20 of these Kunai, slightly longer in blade length than your standard. 10 would go to one of the main actors and 10 would be kept for the director alone. The director believed the purchase of the steel kunai would be thing of the past, not that one had purchased kunai's before. Status the director held allowed for free Kunai but alas, these new wooden ones would become a pet favourite. They were easier to conduct chakra through as well. They glided well in the air, keeping true to their points, a little mastery and they could probably be controlled mid flight, it was a beautiful creation and skill the director had come about.The handles were only grooved to help with the wind, some having a spiral twist so that throwing would cause it to rotate like a bullet further increasing their deadly prowress. The director would add these props to the play overly keen to test them out, to see how real they would be. But so far the props had been prooved to be even better than the real deal. Yes, soon they would roll out and replaced the expensive steel props, their jangling and the tinkling. These? They were silent, providing a more earth or natural sound when they clinked with one another.]
Now hidden away in a private box, the Director began to watch as the play unfolded. The private box was placed high, giving a clear view of the audience and actors. Windowed in the front and a small barred door behind for an easy escape.
1141 words
Last edited by Kiranade on Sat Jul 19, 2014 10:15 pm; edited 1 time in total